If one also just Ieafs through this voluminous work, one cannot fail to gain the impression that Adrian Frutiger has filled an entire book of typefaces all by himself. Indeed, from classic Antiqua through sans serif and typical display styles there is an amazing variety in which there are still many hidden treasures to be found. Still to be discovered remain the artistic works of Frutiger, an essential part of his oeuvre which, however, generally takes second place after the applied works. (novum)