Kapelle Rubin, Getzmann, Buser

Sequenza III für Frauenstimme Besetzung: für FrauenstimmeKompositionsjahr: 1966 Seitenzahl: 14 Sprache: englisch

Part of the new „Authentic Jazz Playalong“ series, this volume brings together Gershwin, Porter, Ellington and other legends of 20-th Century Jazz. „I Got Rhythm“ features ten absolute classics of jazz repertoire, idiomatically arranged for the intermediate (grades 4-6) player. Melody, lyrics and chord symbols are provided, offering an opportunity for improvisation, with suggested solo phrases notated to aid the beginner. There is also a brief guide/biographical note to each song in the collection. In addition, the playalong CD comprises a live trio of piano, bass and drums for truly authentic performance.

Hummel wrote three versions of the four-minute fantasias: the original version for basset horn as well as versions for solo bass clarinet and solo bassoon. The most effective version undoubtedly is the version for basset horn with its mystically transfigured sound which even Mozart had used for the musical reference to the world to come. Each of the three fantasias begins with a Gregorian song in praise of the Virgin Mary followed by an elaborate fantasia on this tune. Thus, Hummel bridges the period from the 17th century to the present time, from the old-fashioned religious melody to 20th-century music. ‚Marianische Fantasien‘ are pieces of moderate difficulty, yet full of charming beauty. They will enthuse the audience both in the concert hall and in church. Instrumentation: basset horn (or bass clarinet or bassoon) solo op. 87d

Reihe: Klarinetten-Bibliothek Anzahl Seiten: 22 Inhalt: -Blues in B -Manhatten Rag -Boogie for Clarinets -Non stop! -Reeds Rhythm -Chocolate Lady -Jumpin‘ Clarinets -Daisy -Harzburger Polka -Mitternachtsbummel

Traumhafte Weihnachtsmelodien mit Saxophon und KlarinetteDie ganz besondere Atmosphäre von Weihnachten bringen uns die Lieder von Wolf Codera, eingespielt mit seinem unverwechselbaren warmen Ton auf Saxophon und Klarinette. Lieder wie Vom Himmel hoch, da komm ich her, Es ist ein Ros entsprungen, Ihr Kinderlein kommet, Zu Bethlehem geboren und Die Nacht ist vorgedrungen, aber auch eine sehr besinnliche Version von Rudolph, the red-nosed Reindeer wecken die allerbesten Gefühle, die wir mit Weihnachten verbinden. Wolf Codera ist ein Ausnahmekünstler mit einem ganz hohen Erkennungswert. Wenn er mit seinem Instrument lacht oder weint, dann überträgt sich das auf seine Zuhörer. Es geht sogar noch weiter, die Töne vermittelt er so intensiv, dass man meint, den Rosenduft auch zu riechen. All das kann passieren, wenn ein Künstler dieser Klasse, Es ist ein Ros entsprungen intoniert. Freuen Sie sich also auf Weihnachtslieder, die eine besondere Seite in uns zum Schwingen bringen.

The fact that the Bohemian composer Zdenek Fibich (1850-1900) is in the shadow of Smetana and Dvorák is totally unjustified because he, too, was instrumental in the foundation of the Czech national school. His best-known work is probably the subsidiary theme from his symphonic poem ‚At Twilight‘ which has become famous under the name of ‚Poème‘. The violinist Jan Kubelík played this tune under this title since 1908, and as such the work has become known and, with its catchy charm, is now one of the most popular classical themes. Instrumentation: wind quintet (flute, oboe, clarinet, horn and bassoon) op. 39

Besetzung: Fl?te, Klarinette, Pipa chinesische Laute, 2 Bratschen, VioloncelloBeschreibung: This work uses one of the most popular Chinese folk melodies. The Little Chinese Cabbage, which withers prematurely in the field, is used as a metaphor for an orphan. This lament reflects the tragic destiny of the Chinese people in the past and is therefore popular everywhere and frequently used in arrangements. As people move to different places and transmit the melody orally from one generation to the next, the melody is disseminated further and continuously modified, each variation reflecting the conditions of life of the people. The Little Chinese Cabbage landed in the Western world in the 20th century. It has been sung and rearranged by many Chinese musicians living in the West to express their loneliness and sadness – their homesickness in a foreign culture and an alien world.Like the destiny of China, The Little Chinese Cabbage undergoes transformation in the West. Inevitably, Western musical language and its compositional techniques become integrated in the melody, since it reflects the conditions of life of the creative musician.This Klagegesang (lament) is one of the innumerable musical works based on The Little Chinese Cabbage. Cantus-firmus technique, the aleatory principle, unusual instrumental techniques and the ironic use of 12-tone technique all appear in this work.Ausgabe: Partitur und StimmenAusgabeninfo: Fl?te, Klarinette, Pipa (chinesische Laute), 2 Bratschen, VioloncelloSeitenzahl: 44Bindung: R?ckendrahtheftungMedienart: Noten

„Die Bläserbande“ ist ein vollkommen neu entwickeltes Konzept für den Klassen- und Gruppenunterricht mit Holz- und Blechbläsern. Sie wendet sich vor allem an Kinder im Grundschulalter und ist das Ergebnis einer intensiven Zusammenarbeit mit Musikschulen, Blasorchestern und Grundschulen. Der Tonumfang ist für alle Instrumente gleich, sodass alle Lieder und Stimmen gemeinsam erarbeitet werden können. Zahlreiche Übungen zu Ansatz, Haltung, Tongebung und Registerspiel, begleitende Audio-Playbacks und ein großer Fundus an Spielstücken eröffnen neue Perspektiven für die „Bläserklasse“, vom Kleingruppen-Unterricht bis zum repräsentativen Schulvorspiel und Konzert. Entdecken Sie unser Kennenlern-Paket zum Unterrichtswerk „Die Bläserbande“. Zum Vorzugspreis erhalten Sie den Bläserbanden-Lehrerband, das Schülerheft für Klarinette/Trompete/Tenorhorn/Euphonium sowie einen Klassensatz des Instrumentenkarussell-Prospekts.

Is there anyone who does not know the song ‚Guantanamera‘? Going back to a melody of the Cuban music style Guajira and a text by the local national hero José Martí, it was used by José Fernández Díaz in the 1930s as a refrain for improvisations on topical daily news. In 1963 Peter Seeger took up Martí’s original version at a concert at the New York Carnegie Hall – which then became a ‚hymn‘ of the American Trade Union Movement. Since then the title has been sung in countless versions. The current edition offers the opportunity to play the worldwide hit in front of a ‚home audience‘ – enjoy and have fun! Instrumentation: clarinet in Bb and piano

Besetzung: KlarinetteInhalt: A great and mighty wonder – A virgin most pure – Angels from the realms of glory – As with gladness men of old – Away in a manger – Born in the night, Mary’s child – Child in a manger – Christ was born on Christmas day – Christians, awake! – Come to the manger – Coventry Carol – Deck the hall – Ding dong! merrily on high – God rest you merry, gentlemen – Good King Wenceslas – Go tell it on the mountain – Hark, the herald-angels sing – Here we come a-wassailing – I saw three ships – In dulci jubilo – In the bleak mid-winter – It came upon the midnight clear – Joy to the world – Little Jesus, sweetly sleep – Mary had a baby – O come, all ye faithful – O come, O come Emannuel – Of the Father’s love begotten – O little one sweet – O little town of Bethlehem – Once in royal David’s city – Past three o’clock – Rise up, shepherd, and follow – See, amid the winter’s snow – Silent night – Sing lullaby – Sussex Carol – The angel Gabriel from heaven came – The Boar’s Head Carol – The first Nowell – The holly and the ivy – The Sans Day Carol – The Virgin Mary had a baby boy – Unto us a boy is born – We three kings of Orient are – We wish you a merry Christmas – What child is thisWhile shepherds watchedSeitenzahl: 32Medienart: Noten