Hymn Tune Harmonies für Flöte, Klarinette, Violine, Violoncello und Klavier [Musiknoten]
Besetzung: Fl?te, Klarinette, Violine, Violoncello und KlavierAusgabe: Partitur und StimmenSeitenzahl: 62Medienart: Noten
Ein Ländler Musik Blog
Besetzung: Fl?te, Klarinette, Violine, Violoncello und KlavierAusgabe: Partitur und StimmenSeitenzahl: 62Medienart: Noten
Besetzung: Fl?te, Oboe und KlarinetteBeschreibung: Each part is provided with a running cue. A twelve minute feast for three woodwind friends.Ausgabe: Partitur und StimmenSeitenzahl: Leider keine AngabeMedienart: Noten
Mike Mower originally studied classical flute at the Royal Academy of Music, London and was later awarded the ARAM (Associate of the Royal Academy of Music). He has since been involved in many different styles of music. Mike also plays the saxophone and clarinet, and leads “Itchy Fingers”, the world-famous jazz saxophone quartet. “Itchy Fingers” has performed at major festivals and concert halls in over 40 countries since 1985 and has won many international music awards. He has performed or recorded as a session musician with jazz and rock bands, with artists such as Gil Evans, Tina Turner, Flora Purim & Airto Moreira, Paul Weller, Björk and Ryuchi Sakamoto. He has also played in west-end shows, jazz gigs and with classical ensembles. As a composer and arranger, Mike has been commissioned to write works for the BBC Big Band and Radio Orchestra, NDR Radio Big Band, the Stockholm Jazz Orchestra, for Airto Moreira and Flora Rurim, and for numerous wind ensembles throughout Europe. He also writes and arranges commercial music for pop bands, TV and radio. Mike has produced a CD “Tango Del Fuego” for James Galway and RCA Victor using exclusively his compositions and arrangements.
The edition is part of the Trinity syllabus 2007 (grades 5 & 6) Instrumentation: clarinet (2 clarinets) and piano
Besetzung: Klarinette und StreichquartettKompositionsjahr: 2001Ausgabe: Partitur und StimmenSeitenzahl: Leider keine AngabeSchwierigkeitsgrad: 5Medienart: Noten
Besetzung: Klarinette und OrchesterKompositionsjahr: 1991Ausgabe: StudienpartiturSeitenzahl: 46Medienart: Noten
Reiss- und wasserfeste Schneeschuhkarte für das Unterengadin. Die Karte enthält die besten Schneeschuh-Routen, abgestuft in einfache und alpine Strecken. Als Kartenbasis dienen die Originalkarten von Swisstopo (offizielle topographische Karten des Landesvermessungsamts Schweiz) im Massstab 1:50.000. Neben den Routen sind alle Wildruhezonen (Betretungsverbot, ausser auf Korridoren) und Wildschutzzonen (Betretung sollte vermieden werden) eingezeichnet.
Besetzung: Fl?te, Klarinette, Schlagzeug, Harfe, Klavier, Violine und VioloncelloKompositionsjahr: 1979Ausgabe: PartiturSeitenzahl: 32Bindung: R?ckendrahtheftungMedienart: Noten
Besetzung: KlarinetteKompositionsjahr: 1980Seitenzahl: 8Medienart: Noten
Born in Hamburg, Germany to Swedish parents, Ingolf Dahl (1912-1970) began his formal music education with Philipp Jarnach at the Cologne Hochschule für Musik, with whom he studied from 1930 to 1932. Fearing the oppression of the Nazi party coming to power, he fled to Switzerland and continued his studies at the University of Zürich with Volkmar Andreae and Walter Frey. Dahl’s first professional assignment out of school was as conductor and coach for the Zürich Stadttheater. In 1938, Dahl emigrated to the United States and settled in Los Angeles, where he worked as a composer and conductor for radio and film, gave lectures and piano recitals, and attended master classes with Nadia Boulanger. He became a naturalized citizen of the US in 1943, and two years later joined the faculty of the University of Southern California in Los Angeles, where he taught until his death. As conductor of the university’s symphony orchestra, Dahl gave West Coast premieres of a wide variety of contemporary works from the US and Europe. His close collaboration with Igor Stravinsky had a significant effect on Dahl’s own work, leading him to lecture, perform, and arrange Stravinsky’s music as well as translate his Poetics of Music (1947).Dahl served on the faculty of the Middlebury Composer’s Conference in Vermont and taught at the Berkshire Music Center at Tanglewood (1952-1955). In 1961 and 1962 he gave goodwill concerts in Germany sponsored by the US State Department, and from 1964 to 1966 he directed and conducted at the Ojai Festival in California. In his last years, Dahl conducted the Los Angeles Guild Opera and again the University of Southern California symphony orchestra.Among Dahl’s many honors are two Guggenheim Fellowships, two Huntington Hartford Fellowships, an Excellence in Teaching Award from USC, and the ASCAP Stravinsky Award. His music has been recorded on a number of labels including Boston Records, Capstone, Centaur, Chandos, CRI, Crystal, Klavier, Nimbus, and Summit.
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